AGONISTS what was said at the press of DES (H) ECHOS
Saturday, October 10, 2009
Driver Licences Template
DES (H) ECHOS (Francisco Miranda, LOM Editions, 1993)
"Des (h) echos can meet an author who has made his subject and marginalization in the development of their stories can know a watchful eye to capture the conditions of their environment and relate to the proximity of a witness interested in his characters and recreate them through a direct language, convincing each of his turns. Her stories are tough, violent, and that story everyday and ground around us and not always recognized. "
"The story that remains in memory is always the one that reflects the human condition with strong features and deep, and those of Francisco Miranda that humanity is present in the end neglect of their real and recognizable characters juveniles " 1.
* * *
"Des (h) echos, the second part of this book is comprised of six short stories, in which the item is defined marginality: its characterization, causes and consequences. They are everyday stories, those that appear periodically in the media, but considered here in their social and human aspects. "
" In these stories the characters, young, marginal, their own stories starring such circumstances (...). Thus, prostitution, drug addiction and juvenile delinquency are raised as the result of a certain economic and social order, even if the complaint is not the same direct or explicit. "
"... This is not to say that the rest of the text are creations ficcionarias in fact, it is likely that its origin is in incidents actually occurred, but the treatment has given itself makes such stories. "
"As a storyteller, Francisco Miranda seems to have much to show yet. Time will tell if it ventures into other topics and manages to use direct language, realistic and intense, the description of other realities ... " 2.
* * *
"It seems worth noting all the work on narrative (" Des (h) echos ") because we feel that this area lies one of the contributions made Francisco Miranda. In fact, since the description of environments (sectors of the population ... and other geographies, other authors, seem to not exist), to the characters chosen to account for this plane of reality (... so everything we see on television but in a superficial way, mournful and terrible) In the stories of Miranda can not be a "mea culpa" as possible, because their characters do not have much to repent, perhaps because they do not have much to lose. "
"It is precisely this situation off the court found that characterizes the characters in the stories of Miranda, especially when you consider that, traditionally, committed literature, social or left, does not usually investigate the lives of marginalized types in which this writer has set its sights. Generally, literature constructed social worlds where nearly everything was black and white, rich and poor bad good. However, these stories show us other aspects, typical of the reality of the popular sectors, real and violent, that have not been sufficiently described, not the residents and workers are organized, optimistic and convinced of the need for any kind of social change, but those marginalized even sometimes from themselves marginalized ... "
" Through it , to consider the lives of these people in his stories as a central axis thereof, Miranda the dignified and humanized: it becomes a moralist writer punishing wrong behavior, nor a social preacher announcing the better world to come . It merely describes what is the nearest thing that seems to know or have known, a daily reality, but it is also profound. The reasons crime, and human problem that it implies, are present in these stories, which, being considered as police "have no relation to morbidity, panic or show ..."
"For Moreover, in speaking of these realities that exist in the pop world, Miranda brings to mind that every human being marginalized socially demands respect and concern for their existence, regardless of whether that existence is useful or not for the development of a particular analysis or political project " 3 .
____________ a Eterovic Díaz, Ramón, Punto Final, August 1993, p. 18.
2 Guajardo, Ernesto, El Siglo, third period, No. 445, from 12 to 18 February 1994, p. 14.
3 Anonymous, The Heretic, Year 3, No. 8, September 1995, pp. 4-6.
Subscribe to:
Post Comments (Atom)
0 comments:
Post a Comment